Bloodline, Barbados

By Amira Shea

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I skipped down the plaster steps by two’s and stood, shielding my eyes from the bright, early afternoon sun.  On such a small island, the salt smell of the sea was everywhere, filling my lungs. To my left, an old man leading a donkey cart was making his way up the slight hill. One weathered hand loosely held a thin switch, but it wasn’t needed. The animal was well-fed and sturdy, with large, clear, if somewhat miserable looking eyes. One hoof clopped in front of the other as it continued straight ahead, looking neither left nor right. It hauled a wooden pallet jerry-rigged with large bicycle wheels and laden with fresh fruit and vegetables. Banana, mango, coconut, green onion, tomato, papaya. Observing the gentle beast as it passed close enough for me to see the little flies on its coarse brown and gray pelt, I thought, no matter how well you were fed and treated, no matter how bright the sun and how salt the air, it must still suck to spend your days harnessed and dragging produce.

           My thoughts about the donkey lasted as long as it took for the man and his mobile business to get about 20 feet up the road. Turning right, I slowly started to make my own way up the hill. Fine grains of dark, clay-colored dirt immediately entered my sandals and surrounded my toes. Little pieces of white coral, more prevalent than pebbles here, joined the dirt from time to time. I would stop and shake them out absently.   

           I passed a few houses on the right. Like that of my grandparent’s, these were mostly built of concrete and cinder blocks, with plaster facades brightly painted in tropical reds, aquas, and yellows. In addition to the dwellings, each small, functioning lot held fruit trees and a few animals – goats, chickens, ducks and a dog or two. The odors of their bodies and waste mingled with the salt and the perfume of copious flowers. The resulting bouquet was unique to the island, and not unpleasant. A few of the houses were made from wood and in various states of disrepair, identifying the family as old, or poor, or both.


"Observing the gentle beast as it passed close enough for me to see the little flies on its coarse brown and gray pelt, I thought, no matter how well you were fed and treated, no matter how bright the sun and how salty the air, it must still suck to spend your days harnessed and dragging produce."


My destination was the corner store set at the top of the hill. One side of the store abutted the road I was on, and the other fronted the perpendicular main road through the parish. At one point, it used to be someone’s home, but the downstairs was now given over to various sundries, canned goods, ice-cream, bags of chips, and a rather anemic magazine rack. Faded Coke-a-Cola signs, the kind you seem to only see in the Caribbean, hung outside over peeling paint. The white swirls were greying and the red fields were practically pink. The signs themselves almost melted into the yellowing cream of the wooden exterior. I stepped through the dark green screen door onto cracked and worn speckled linoleum. A lone, long fluorescent bulb illuminated the space. The shopkeeper was nowhere in sight, but guaranteed he was watching.

           Despite the age of the place, everything – even the floor – was meticulously clean. Not that any of that mattered to me. I was happy to be there, to be anywhere really, on my own. I would have been equally happy to walk up the road and visit a large hole in the ground, as long as I was allowed to go it alone. Even back home, in Hawaii, there were few places my mother would let me walk or ride my bike to unaccompanied. Recently, some of my friends had started to take the bus by themselves, or in groups, all the way to the large downtown mall. Though I’d guessed the futility of floating such an idea to my mother, I tried nonetheless. It was shot down in a stinging rebuke. I tuned out shortly after hearing no, but I was sure there was mention of “prostitutes, drug addicts, and homeless riders, caked in urine and just waiting for gullible 13 year-olds to board city buses.”

           Whether it was because my mom was more comfortable on this island where she was raised, or because it was actually a very small place where crime was all but non-existent, I couldn’t be sure. All I knew was that during this last week I’d had more freedom than ever before. 

            I had only intended to buy a soda or a push-pop, but I was in no hurry to end my solo outing. I meandered through the one aisle and finally stopped in front of the magazines. The skateboarding and hair-metal fads of the late 1980’s had made it all the way even to this small corner of the Caribbean, and I selected a surprisingly current edition. On the cover were four men, each in denim and each sporting impossibly blond, long, and teased tresses. Maybe that’s what gave me away.

            I soon felt eyes on me. Different from those of the yet-to-materialize shop-keep, these were the eyes of someone my age. Pretending not to notice, I kept flipping through the magazine without paying any attention to the content.

            “You’re American, aren’t you?”

             I turned to face the boy. He was skinny, like me, with knobby knees and elbows and feet that he had yet to grow into. His white tank top and yellow running shorts were worn, but not dirty or holey. They were well-favored after school clothes, as were his rubber flip-flops. The same dust that clung to my toes rested comfortably on his ankles and shins. We both wore the ashiness of young black children who had not yet fully incorporated lotion into their daily routines.

              “Yes,” I said, with an accent that confirmed his suspicions.

              “I thought so. Why did you come to Barbados?”

              “My mother is Bajan. We are visiting my grandparents.”

              I was flipping the pages of the magazine as I spoke, round chin slightly raised, trying to affect a breezy, carefree manner. Standing with my left foot leaning perpendicular up against the side of the other, left knee bent, I tried to envision myself as one of the laughing, skinny young women in the Virginia Slims commercials: I’d come a long way, baby! They were always hanging out by the pool or a municipal fountain and having a great time with their friends and cigarettes. They laughed open-mouthed, and as a group. Even though I hated their preppy clothes and the bright colors, I had to admit, those girls seemed to have it going on. I put my foot down to wiggle my toes some more, stubborn sandy dirt still clinging to them. The boy scratched the dry peppercorns on his scalp and smiled crookedly.

              “So if your mom is Bajan, that means you’re Bajan too!”

              “Yeah, I guess…”

              I was still trying to play it cool and nonchalant. If I’d been chewing bubble gum, I would have smacked it, but I wasn’t and instead just licked my dry lips instead. I wasn’t attracted to the boy in particular, nor was I nervous about talking to the opposite sex in general, however, I could count the number of times I’d had a one-on-one conversation with a boy on one hand and have four fingers left over.

              My life up until this point involved frequent moves and a permanent sense of otherness. My family was, in fact, preparing to leave Hawaii for a three-year assignment in Japan. They weren’t sure when they’d be able to make it back to the Caribbean, so had decided to pay a parting visit to my mother’s parents. The boy’s simple assertion I was Bajan too, was the first time I could remember being claimed by any group. I was Bajan too! Joy crept over me like the afternoon sun forming a long rectangle on that cracked linoleum.


Amria Shea is a graduate of The Mountainview Low-Residency MFA in Fiction and Nonfiction. She lives in Oahu, Hawaii, where she operates Paradise Writinga community-based, full-service writing company that utilizes updated technology to assist clients from across the globe.

What Ambition Gets You

By Arun Chittur

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I was in Pennsylvania this past weekend for my mother-in-law’s surprise retirement party. She spent thirty years working for the school district, accruing a lifetime of stories from successive generations of parents and their children. The party was a clash of worlds, with friends from her high school graduating class meeting old co-workers and extended family who had traveled from across the Northeast. It was the first time I’d ever been to a party where everyone invited RSVP’d “yes.” Thirty-seven invitations sent; thirty-seven confirmed attending. Not even all-day rains dampened the afternoon as we congregated beneath two vinyl canopies and a detached garage. My in-laws’ backyard was crowded with cousins and siblings, toddlers and teenagers, family members by blood and marriage. One of my wife’s cousins and my brother-in-law dominated the ad hoc cornhole tournament. We enjoyed good beer, great barbecue, and an unspoken guarantee that no external force could ruin the experience.

           Last month I hit ten years with my company. I celebrated the expected but modest pay raise with a decision to leave in the next year and move on to pursue other life goals. Making it twenty years entitles you to a stable, if small, pension. As I’ve shared this with friends, they’ve split in their opinion.

           Some argued, “You’re halfway! What’s ten more?”

           Yet others said, “Ten more years? That’s a long time.”

           I’ve been leaning toward the latter for a while, especially with a company that focuses on pre-ordained patterns of progression after that all-important 10-year mark. And so this transition has me thinking about ambition … the kind we feel internally, and the kind foisted upon us by an organization grooming its next generation of managers for its own sake—at the expense of those closest to us who might wish for something else. A life where they see their husband or wife or father or mother more often. Many wish for something better.


"I’ve spent the better part of a year trying to articulate this lesson for myself. Ambition can be healthy, but mustn’t there be a purpose behind it? A reason beyond your own self-interest, your own self-promotion?"


My parents’ generation, wrapped snuggly in a blanket of stability, valued ambition. A desire to rise. Happiness meant a good education and the same job for decades. Predictable income and minimal risk. As a reluctant millennial, I’ve wavered between the safety of a stable, if flat, trajectory, and something more like a sine wave, with ups and down defined by risk and decisions made without a clear vision of the future. Many of our best memories have been born from the peaks and valleys, where we’ve lived and learned the most. None of these moments would’ve happened had I chosen ‘guaranteed’ success and opted for the stable route. The route with all of the questions answered and little left to guess. I don’t regret my last 10 years. But as I look across the backyard, I know that should I choose the stable path, I will accept the promise of a job at the expense of our best memories yet to be made.

           Under the canopy, no one talked about the latest project at work, or what it would take for the next promotion. Whatever ambition was fueling my current state of work, none of it had resulted in this moment. This moment owed no one else, it came to be because of family and friends who outlasted all of our careers and all of our moves. It came to be because it was based on what lasts. Ambition can get you a lot in a short period of time, but it will never provide for you what you need most to be fulfilled.

           I’ve spent the better part of a year trying to articulate this lesson for myself. Ambition can be healthy, but mustn’t there be a purpose behind it? A reason beyond your own self-interest, your own self-promotion? Otherwise what’s left after the experience of life ends? What will there be but the possessions of a life purchased and not lived?

           Ambition gets you money and notoriety: a nice car, a nice house, even a few acquaintances that will pass as friends in suitable moments. But it doesn’t get you the friends you’ve had since college, or cousins willing to drive hours to help you load and unload a moving truck, and certainly not a family that loves you. In the final calculation, ambition can only get you what’s temporary, what’s fleeting in reward.


Arun Chittur is a graduate of The Mountainview Low-Residency MFA in Fiction and Nonfiction. He currently teaches organizational leadership and pedagogy in Nevada.

Missed Treasure

By James Seals

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On a Monday morning, my girlfriend and I sat in my car, staring out the driver’s side window, scrutinizing a rainbow. No rain fell and the sun had abandoned the sky. But still, a rainbow appeared. I wondered what the phenomenon looked like to my girlfriend. Nationalgeographic.com (NG) states that every person sees their own rainbow because light bounces off raindrops and reflects at different angles so no two people see it exactly the same.

       I found the end of a rainbow, once, I said.

       My girlfriend’s big, brilliant eyes widened and her smile gleamed. Tell me, tell me, she said.

       One high school day when on the football field practicing, I noticed a rainbow inside a wooded area 100 yards away. A few of my teamates and I still believed in the old Irish leprechaun’s secret: a pot of gold waiting inside at the rainbow's end. I wanted those riches. We raced toward the gold. Our cleats flung dirt. A defensive linemen tossed an offensive player to the ground. A running back stiff-armed facemasks. I hurdled a diving player. Hoots resounded.

       I entered the woods first and stood within the rays--although NG says that nobody can ever reach the end of a rainbow because as you move the rainbow moves too. But I was inside of it. My friends told me so. I had no reason to disagree other than having failed to find riches. I had searched everywhere: I turned leaves; I flipped logs; I dug my fingernails deep into the black soil; I found no gold, no evidence of the German myth of God’s bowl--nor did I transform into a woman, as early Europeans believed happened when one passes beneath a rainbow.

       For years I felt annoyance; I was cheated out of treasure. How many people find the end of a rainbow? I had stood upon Greenland’s belief of the hem of God’s garment. I had stood in God’s promise that terrestrial life would never again be destroyed by flood (Genesis 9.13-15). I had destroyed insects’ homes within the gates opened by Saint Peter to allow another soul into heaven. But I have lived an emotional kind of hell without my treasure.


"My rainbow should have shown me how to make marriage my top priority: wife first, children second, work last. My rainbow should have told me to not keep score, to play with my partner, to forget ifs and buts."


The treasure that I really needed in high school was the knowledge of how to cope with my father. How to manage his swinging hands and slashing belts. How to hide the bruises and cuts. How to overcome his pushing, choking, grabbing, and kicking my mother and sisters. Today I can simply visit kidshealth.org to read: How to Handle Abuse. But that article has come too late for me as I now fight my own temptations to use these learned tactics.

       In early adulthood, I needed advice on ways to keep my first then second wife happy. My rainbow should have shown me how to make marriage my top priority: wife first, children second, work last. My rainbow should have told me to not keep score, to play with my partner, to forget ifs and buts. Men can visit menshealth.com for such advice: 8 Simple Ways to Make Your Marriage Last. Perhaps my wife would not have sought a better partner during our marriage if I had read that piece.

       Today, I wish my rainbow had taught me to deal with grief. There are about 644,000,000 web results that can assist in handling loss. I have struggled with the emotional suffering in being an absent father. I may never truly know my kids. They live in different parts of the country, near their mother. I have missed their first day of school--their first crush, dance, driver’s test. So much more. I know our distance is because of me. I have promised to make things right. But I have failed at that too. Though I have accepted all blame for our detachment, I still have bouts of sadness; I have tears. 

       On Saturday after scrutinizing the rainbow, I pondered my missed treasure. My conclusion: I hope nobody happens upon a pot of gold, some secrect stash of riches. I believe the absence of something material gave me the strength to deal with life events. Riches would have allowed for me to buy something to mask pain, like many people I know do. My treasure-less rainbow has forced me to grow. It has now become the same representation as the 16th-century German Peasants’ War rainbow flag: a sign of a new era, of hope, and of change.


James Seals is a graduate of The Mountainview Low-Residency MFA in Fiction and Nonfiction. He currently teaches adult education in Austin, Texas. 

Run

By Michael Farinola

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They run, through the silent night.  Not a sound in the void there is heard. 

They follow black and silent wings of two large and vigilant birds.

It's hard to know where the raven's fly, their path seems long ago set. 

Their beaks do not smile, their eyes do not laugh, their minds do not yield or repent.

The wolves vary a great deal in appearance, one is large and reasonably intent. 

Too large for a dog, too wild for a cage, his head remains playful but unbent.

The other is gaunt and starved, with bare muscle and exposed flesh does he run. 

His claws scar the earth, his breath draws the sky; his hunger would consume even the sun. 

Where go the ravens?  Why follow the wolves?  Why no sound as they silently run? 

What are they doing?  Who are they here for? 

Why, oh why, do they run?


Michael Farinola is a current degree candidate at The Mountainview Low Residency MFA in Fiction and Nonfiction.

Student Picks: Johnson

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Ashley Bales-- Denis Johnson spent his career writing “people who totaled their souls,” “Not bad people, not evil people, but actually storms of innocence. Deadheads telling their tears.” He explored “the violence inside a man.” He discussed death, ruminated on the psyche’s physical confinement within the body, within the strictures of society.  He was fascinated with the paired concepts of freedom and constraint and his characters tested the limits of these boundaries. He dismissed moral systems that would dehumanize his characters because of this struggle. In Already Dead, Johnson strings these ideas together in a meandering plot that serves as a scaffold for his most comprehensive exploration of the human experience as a struggle between the soul, society, and the physical world.

The characters in Already Dead inhabit a world of violence. Nelson Fairchild spends the book running from killers. His brother William is a recluse, attacked by rays coming through the air itself. Carl Van Ness is a weaponized body, his soul no longer present. When Nelson Fairchild is finally caught by the assassins pursuing him, his consciousness expands, his last moments become infinite, he lies on a beach dying and “[begins] to understand that he’d accomplished these innumerable journeys, so many and so involved he could hardly remember them, in a radius of three or four feet.”

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This exploration of what it means for a life to end continued throughout Johnson’s career. Nelson’s death is echoed in another of Johnson’s death scene, that of Link from his story “Triumph Over the Grave” in his posthumously published collection The Largesse of the Sea Maiden. The elderly and dying Link wakes to find himself in the wrong room. He steps outside, towards a gulley leading into “…the roaring extinction into which ocean, earth, and sky had disappeared.” Instead of heading towards this “roaring extinction,” Link “banked left, circled around the corner of the house to balance in front of his bedroom’s back door—situated about sixteen feet diagonally across this bedroom from the sliding doors he’d walked out of. The journey had covered thirty or forty paces and lasted under ninety seconds.”

In these passages, Johnson portrays the psychic life of an individual as infinitely large and uncontainable, yet lets it rest, like nesting dolls, within the increasingly limited confines of a life, a home, a body. As Fairchild and Link are on the verge of death, they experience unclear boundaries between the perception of their vast psychic world and their limited physical world. Over and over again, Johnson develops narrative tension in exploring a character’s psychic freedoms within a confining reality. But Johnson’s fascination with this contrast is not limited to explorations of confinement; he is equally interested in the limits of psychic freedom, explicitly explored in the drug addled narratives of Jesus’ Son and the soul hopping discussions of Already Dead.

Already Dead is a novel that is likely to polarize readers. There are long metaphysical and Nietzschean rants. Neslon Fairchild has more lives than your average cat and few characters are living by the end of the novel. The violence is extravagant and upsetting. The depiction of humanity is bleak. But for those who have ever felt alien within their bodies, felt their soul beating away at their insides, certainly anyone who wants to delve into Johnson’s deepest ruminations, it is essential reading.

Johnson’s exploration of these themes throughout his body of work does not leave you with a unified theory. He did not write from a rigid platform but as one searching—a searching that imbued his work with vibrancy—pulling meaning where he could find it. For those less inclined to Already Dead’s aggressions, “Triumph Over the Grave” offers a softer exploration, turning its attention not towards an individual’s struggle to live, but towards death’s dissolution of relationships and the pain of lost companionship. 

God Had Forsaken Me

by Mike Helsher

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Ron came to stay at my house for the weekend. We did all the things that 13-year-old boys did in the early 70’s. We went fishing, slept in a tent in the backyard, raided the fridge, and watched the afternoon Creature Double Feature show.

Come Sunday morning I was scheduled to perform my duty as an Altar boy. Ron knew nothing about the Catholic church. He asked me why I had to go. “My mother makes me do it, it’s just stupid!” I said.  “You have to sit there for an hour, and don’t fart on the benches!” I raised my eyebrows. I had done that once and it echoed through the cavernous sanctuary.

“And when everybody comes up front, you can’t,” I said. “Don’t come up for communion!”

“Why?”

“Because you haven’t been to confession. Because you’ll go to Hell if you do!” 

“Hell?”

“Yeah, Hell! So, don’t come up, Okay?”

Ron made an evil grin.

My mom dropped us off at the church. Ron sat in the back row of pews. I went to the prep-room and, as usual, Father Magainin didn't say a word to me. He was a tall man who looked like Lurch from The Addams Family. He would flip out on Altar boys that screwed up during a rehearsal. He hadn’t flipped out on me yet, though, because I made sure to get everything right. I took his silence as a good thing.

The Mass droned along until I looked to the back of the church to find Ron. He made a big dramatic yawn, leaned his head back and feigned sleep. I was a few seconds late pouring some wine; Father Magainin shot me a disgusted look. Ron began popping his head up and down behind the pew, making horror movie faces. I was waiting to hear the echo of compressed gas on his wooden bench during the silent moments, was relieved and disappointed when it didn’t happen. Thinking about farts made me miss my cue to ring the bells. Father Magainin scowled. His aura was penetrating. I decided to stop looking at Ron.

I had to hold a gold dish that looked like a shiny ping-pong paddle under the parishioners’ chins during communion, just in case the body of Christ might not stick to the end of someone's tongue. Father Magainin was sticking the wafers. We were almost to the end of the line of kneeling people when we came upon Ron, kneeling, grinning, holding his hands in prayer position. His eyes were big and glassy, staring past me, avoiding contact.

“The body of Christ,” said Father Magainin, as he had to everyone else. Ron was supposed to say, “amen,” and then stick out his tongue, to which Father Magainin would then stick the wafer. But he didn't say amen or stick out his tongue, instead, he just opened his mouth as wide as he could.

For ten long seconds, Ron’s mouth hung open like a begging baby bird in waiting. Father Magainin’s hand began to tremble with the body of Christ held delicately in his fingertips. I stopped breathing. My eyes shot back and forth from Ron’s gaping mouth, to the vibrating body of Christ until Father Magainin wound his fingers back, and flung the wafer like a frisbee, into Ron’s mouth.

My abdomen erupted. My cheeks puckered. I bit my lips together, but it was no use—laughter spit right through. 

Ron covered his mouth to keep from spitting out the body of Christ.

Father Magainin stared at us with awe and disgust stretching down the length of his long face. He turned to scan his flock, one-hundred churchgoers stared back.

“Stop it,” he whispered.

I couldn't.

“Stop!” he said, a little louder.

I bent over, clutched my belly. It was heaving so hard it hurt.

“Stop it!” he yelled, to which the nearby church-goers let out a gasp in unison.

The cold silence of God filled the church, and listened, as our laughter echoed off the sun-lit stained glass windows. Ron stood up, walked down the aisle, and on out the back door, laughing all the way. Father Magainin called the other Altar boy over, told me to go pray to the Virgin Mary for forgiveness. I pinched my mouth shut. I walked over to the statue, knelt down, looked up at the sad face of Mother Mary and tried to feel sorry, prayed for even an inkling of sorrow. But God had forsaken me.

I bowed my head, clasped my hands in prayer, and giggled out-of-control.


The Line

by Garrett Zecker

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"He taught us about food — but more importantly, about its ability to bring us together. To make us a little less afraid of the unknown."  - Barack Obama on Anthony Bourdain, June 8, 2018.

I knew I wasn’t right halfway through the sentence, “I haven’t known anyone directly that it happened to.” My girlfriend was silent beside me in the car. The specter of suicide and death can suck the air out of a conversation. “Well, except for Clark*. I forgot he was dead.” The specter du jour was the sudden and unexpected death of the chef and writer Anthony Bourdain.

My experience with Bourdain’s work mirrored a reality I was intimately familiar with. I slung drinks and barbecue on Boylston Street in Boston, and with every life change, I changed restaurants and moved further and further westward in the state. I plated pasta and uncorked wine, poured coffee and sliced pie, shook margaritas and shimmied chimichangas. There was an ‘I ate the worm’ club. There were t-shirts. Those years were humbling, exciting, exhausting. They were unsustainable.

When I first entered the industry, Bourdain’s book Kitchen Confidential had just come out. I took it out of the library. I devoured it, one of the first books that depicted my experience: chefs hopped up on coke to keep the plates flying, waiters and waitresses fucking on the bins holding food they’d serve to our customers, the horrors, the absolute horrors of rotting food behind the swinging doors, the constant opening and folding of restaurants, the dreams, the stress dreams, and the nightmares that accompanied what we all wanted to accomplish. Bourdain nailed it with his unapologetic, brutal, energetic presentation of it all. What’s more, Kitchen Confidential arose from a deal he got when he accomplished that single-random-slush-submission-to-fame New Yorker story that all writers fantasize about but few accomplish. His gritty, stained life was the life I romanticized about.

Bourdain was a virtuoso. He didn’t care what anyone thought.

I knew Clark from the gym. He was a kind, friendly man. We became acquaintances when we found out that we worked for the same school. He was a part-timer, and always sounded like he was hurting for money. We’d text each other occasionally, share writing. He showed me the photography he took with his flip phone. He’d confide in me a relationship he was having with a man who was married to a woman that never reciprocated his advances. He wouldn’t leave his wife. He confided his long legal battle with his landlord over affording his rent. Every Sunday he chopped firewood to earn money. His last six text messages were about earning enough money. He didn’t think school would ask him back to work part time in the fall.

A few months later, he was gone in a small fire he set as he was being evicted. Some friends organized a small memorial at a local restaurant to collect money for his funeral. Someone collected his remaining belongings, what wasn’t destroyed. We chatted about Clark’s thoughtful and selfless ways. Binders upon binders of his photography were recovered. He had an entire photography career in the eighties, taken not with a Motorola but on film. Beautiful pieces explored the body and nature. There were awards, magazine layouts. We were allowed to take some home to remember him by. Everything smelled of embers.

Clark was humble, but no less a virtuoso. From what I hear about Bourdain, he was just as kind, friendly, and true to those he loved.

Neither of these men’s stories are mine to tell. I only have one of their phone numbers and text messages still in my phone as if keeping them might evoke one last call or message from him. But they both brought me joy.

A chef's mise en place and prep area is called "the line," like war, like that thin knife's edge, so hard to see in in two dimensions. Sometimes, that line is so thin it’s invisible. 

 

*Some names have been changed for this story. If you or someone you know needs help, please call the National Suicide Prevention Lifeline at 1-800-273-TALK (8255).


Student Picks: Tallent and Peelle

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Danny Fisher-- I was sixteen, sitting at the kitchen with my aunt, when I turned to her and said, “Why doesn’t she just leave him?”

My Aunt set the needle and thread down that she had been using to sew button-eyes onto the sock doll she was making. She sighed, “Because, Danny, some people need to be victims.”

Her true meaning did not sink in that day, but in the years that followed I would learn to understand the mentality behind the victim/abuser relationship. In his novel, My Absolute Darling, Gabriel Tallent dissects that dynamic with a deft use of language, imagery and a nuanced approach to scene building and story-telling.  The reader is granted full admission into the horrific conditions that his main character, a young girl named Turtle, must survive to find the person she is meant to be and not the one her domineering father, Martin, has trained her to become, although Tallent takes the reader there with a subtlety that belies the drama unfolding, allowing the reader to behold the beauty of Turtle and Martin’s relationship as well as the tragedy.

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Margaret McNellis-- The Midnight Cool by Lydia Peelle is a delight for students and casual readers alike. Peelle’s treatment of the passage of time and varying points of view provide ample text to study for craft while providing a rich texture to the story. Pair with that universally understood themes at a time when the whole world is in the thick of war, and you get a gripping reading experience.

On the micro-level, Peelle’s writing is beautiful. Her use of metaphors and similes offer substantial opportunities for close readings because in the space of a few words, Peelle expertly conveys character motivations, fears, strengths and weaknesses.

I was particularly excited to add The Midnight Cool to my reading list this semester, as Lydia was my mentor last semester. I had the added benefit of seeing her lessons in action. If asked what I enjoyed most about The Midnight Cool, I’m not sure I could pick any one thing because I loved every aspect of this novel.

Create Destroy

by Danielle Service 

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We boarded the USS Massachusetts at Battleship Cove in Fall River, Massachusetts, near the windy edge of the Atlantic Ocean on a late March morning. A hint of sun and one hundred and fifty-six seventh graders with a smattering of adults hit the deck. Twelve or thirteen year olds with ebullient and nervous and hyper bodies bounced on grid metal with overnight bags. I their teacher scanned, frantic to search for where could they get into trouble and the answer here, on this World War II destroyer that had traveled over the Atlantic through that war, was everywhere. It was a battleship, for Christ’s sake. 

When a teacher sees that everything in or out of sight has the potential to hurt the children the tendency is to relax. If you can’t control the situation, you realize you don’t have to. I stopped screaming for them to stay within bounds and let them explore, surrendering to the situation, letting go of the reigns.

It was loud and chaotic and I could not figure out where I was at any given time, crawling up and down the stairs and calling after kids, our voices echoing on the metal hull as we passed Nazi flags and makeshift mess halls decorated for tourists with the names of fallen soldiers. Later that night, the energy of the ship got to me. We’d finished with the storyteller and some enterprising schmuck had opened the snack bar at 8 p.m. to give the children coffee and candy before we could put a stop to it. By the time the movie went on in the downstairs hall, all was chaos, overexcited adrenal glands, wanton chip wrappers, and Nazi ghosts. We teachers gave up at around 9:30 and while the movie played we sat in the back choking back hysterical laughter at the absurdity of the situation until we had to tell a kid to pick up his stuff and he got attitude.  

Our voices echoed off the metal and my teacher friend turned and said “This is Hell. This is literally the definition of Hell.” I fell on the floor laughing and almost wet my pants so I went to the bathroom and the Nazi flag in the hallway stopped my giggles. 

We all spent the night on swinging platforms stacked by chains and I pretended I was a soldier at war. I got up sleepless, crept about the ship, prayed for peace, did some light yoga on the deck, honored the fallen. 

The next morning, we toured Battleship Cove. In the Torpedo Room of the USS Lionfish, a Navy submarine, I thought about humanity’s dual instincts: to create, to destroy. Creation makes sense; it’s natural and steeped in love, the most powerful force in the universe. Destruction doesn’t make sense due to its violence, and I’ve struggled to understand how the two coexist. But in the Torpedo Room it came to me: we are born and then we die. Life and death are the only two absolutes, so of course creation and destruction are equal forces. I sagged with relief, felt better than I had in a long time, and went to tell everyone who would listen. 

That epiphany fueled my faith in the universe for weeks. One Saturday night I told my friend Laura about it at a Mexican restaurant. “It reminds me of something Mr. Rogers once said,” she quipped. “He said that deep and simple was far more essential than shallow and complex.”  

“YES,” I hollered, waving a chip with cheese. “It’s like Occam’s Razor! The simplest explanation is the best one!” Our laughter echoed off the mosaic tiles. We’ve been friends for thirty years. It was April vacation and a beautiful night. Summer was six short weeks away. Anything could happen. 

The next day I drove my teacher friend – the one who’d said “this is literally the definition of hell” – to Massachusetts General Hospital to see our thirty-seven-year-old friend and colleague who had suddenly, inexplicably, been diagnosed with ovarian cancer. At the Mexican restaurant I had had no idea of the seriousness of ovarian cancer. Even on the drive to and from Mass General I had had no idea of the seriousness of ovarian cancer. It had been a month since Battleship Cove and I’d been riding the crest of my faith in the universe’s wisdom that whole time. Much like letting hundreds of teenagers loose on a battleship, I’d lost the idea that I could control anything – and I was fine with it.

It wasn’t until I saw our friend’s scar from low abdomen to chest and went home to google, that the potential truth of the situation hit me, a torpedo to my stomach. The cancer had, in a few short months, made its way from her ovaries to her ribs. Our friend and colleague has a four-year-old and a one-year-old and a husband who is a cop and was an officer in the Marines.  

The problem with having faith in the universe is that if you believe with all your heart in the absolute truth of love and creation you also have to accept when destruction rears its ugly head. We’re born and then we die – duh. But chemo is an atom bomb. The Allies defeated the Axis powers, their plan to take over the world. Surrender often trumps a fight, and honoring the duality of opposites is a skill: creation, destruction. I pray, still, for one over the other.  


Danielle Service is a graduate of The Mountainview Low-Residency MFA in Fiction and Nonfiction. She currently teaches seventh grade Language Arts and yoga in New Hampshire. ​​​​​​​

Lighting Up

by Margaret McNellis

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When I see people light up a cigarette, I wonder if they really know where it will take them. Sure, everyone knows that cigarettes increase your risk of getting lung cancer, that they’re linked to 80-90% of lung cancers. But how many people who smoke really know what that looks like? When my father was diagnosed, he had Stage IV non-small cell lung cancer. Two and a half months before that, he felt great. He was working, traveling, and we have a picture of him at my sister’s birthday dinner looking happy and healthy. Two and a half months.

He didn’t have a single tumor. When one of his doctors showed my mother and I his CT scan, it looked more like static on a television, like a blizzard. All the white stuff floating around in his lungs was cancer.

The cancer would have been a quick death. Less than two weeks after his diagnosis, it would have killed him if he didn’t go on emergency chemotherapy. I remember walking through the ICU, I saw another patient whose face looked like it was skin stretched over his skull. His cheeks were hollow, his eyes sunken, and his lips pulled tight. He was having trouble breathing. As scary as it was having a parent in the ICU, at least my dad still looked healthy.

The monitors told a different story. His heart rate was hanging out in the 150s even though he was resting, because he couldn’t get enough oxygen. His heart was working overtime to feed his brain and other organs. We had the “get your family here” talk with his pulmonologist.

My father wanted chemotherapy. He wanted to live as long as he could, fight as long as he could, but I think he knew before he started that he was on borrowed time. The rest of us realized that over the next three months, but what none of us knew was how sick the chemotherapy would make him, how fast he’d drop eighty pounds and begin the starvation process that would rob him of the ability to move around, to think clearly, to live. The chemo made it painful to eat, so despite our attempts to find foods he could handle, he ate less and less.

A lack of oxygen made it difficult too, and the more his stomach shrunk, the more even the tiniest of appetizers made it harder for him to try to fill his lungs with air. He got skinnier and skinnier until his collarbone protruded so much that were it not for the absence of any bruising or complaint, I might have thought it was broken. I could see his ribs through his shirt. He started to look like that man I saw in the ICU, that man who wasn’t my father and I hoped my father would never become.

My father used to smoke cigarettes. I don’t blame him for it; he did so at a time when the population believed they were healthy. Hell, doctors used to prescribe smoking, after all. Just because someone is addicted to cigarettes doesn’t mean they deserve lung cancer or chemo. All the same, whenever I see someone light up, it takes every ounce of control for me to not rip the damn thing out of their mouth and stamp it out on the ground. It takes every ounce of control for me not to hop up on a soapbox and ask them if they want their children to watch them starve, for food, for air, for just one more month or week or day. I want to ask them if they know what it looks like and feels like when someone actually fights that fight until the bitter end.

I’ve never smoked a cigarette. The smell has always bothered me. I don’t know if they taste good or not, but after watching my father fight lung cancer—which eventually metastasized to his lymphatic system, bones, and maybe even his brain—I know this: the end is always bitter.

There’s never enough time at the end, no matter how much time the chemotherapy bought. I always wanted one more day, one more hour, even after my father slipped into a coma. The hospice nurse told us that was the final stage before death, evidence the body was finally shutting down. The morning that he died, on Friday, September 6, 2016, I told my father it was okay to go. I wasn’t okay with it, really, and I never will be. But I said those words, because he needed to hear them, because it was time.

Someone my age or younger once apologized for lighting up as we walked down a sidewalk. “It’s okay,” I said.


Student Picks: Ware and Sheffield

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Shawna-Lee Perrin-- I heard about this book nearly two years ago on NPR, and immediately wanted to read it. But two years fly by when one’s having fun in one’s MFA program, and I couldn’t fit it in amongst each semester’s reading lists and essays, let alone during the frenzy of my final semester. Finally, with my full thesis completed and mailed, it was time to wait. I got this book on a Wednesday evening and finished it less than 48 hours later.

In a Dark, Dark Wood by Ruth Ware begins with Nora, an introverted, reclusive writer living in a small flat in London, getting invited to a bachelorette/hen party weekend for her best friend from primary and secondary school. But she hasn’t seen the friend in about ten years and doesn’t understand why she’s been invited. She’s persuaded to go, and ends up in the middle of a mystery – a mystery she can’t remember as she recovers from a head wound in the hospital.

Ware weaves the tale in first person, alternating between Nora in the hospital and (via memory flashes as she pieces things together) an ominous glass house in the middle of a forest. I was hoping this book would last a little longer, but the characters and suspense propelled me through the 308 pages faster than I anticipated. It’s a thoughtful, brutal study in how to write a smart, well-crafted story with mystery and intrigue that keeps those pages turning.

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Dominique Heuermann-- “Tonight, I feel like my whole body is made out of memories. I’m a mix tape, a cassette that’s been rewound so many times you can hear the fingerprints smudged on the tape.”

Music is an essential part of the human experience. In my lifetime I have made countless mixed tapes and CDs, all labeled for specific moods and events, boyfriends, and road trips. Reading Sheffield’s ode to his wife through music,  Love is a Mixed Tape, is a heartbreaking trip, but one you will thoroughly enjoy.

Sheffield’s take on music memory and the way in which we all reach back in one way or another when confronted with a song from our past is masterfully done. By running through the playlists of the mixed tapes left behind by his late wife, we get glimpses of quiet moments, explosive memories, and the painful parts of letting go and moving on.

Sheffield’s profound musical wisdom and lyric application to life’s dilemmas and routine problems, such as his wondering why no one writes about the men that turn into husbands except for Carly Simon, or how Nirvana’s “Heart Shaped Box” defined for him what it meant to have the responsibility of “the kind of love you can’t leave until you die.” I have always connected to music in this way, where the message outweighs the melodies. What instantly pulled me into Sheffield’s storyline was the fact that each chapter is a mixed tape. A time capsule of events centered around music and the choice to feel. Perhaps in my own memoirs I’ll discuss why I can’t stand listening to Alice in Chains, the reason ‘80s love song radio shows make me break out in a sweat, or why hearing Andrea Bocelli and Sarah Brightman’s version of “Time to Say Goodbye” will always make me weep. Musical muscle memory, what a bitch.  

A Curiosity

by Eric Beebe

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My girlfriend brought me back a spell book from Iceland. She’d asked if I wanted a drinking horn, but I already had two or three. A decorative belt pouch for my Ren Faire Viking garb? Nah, I could get that at a Ren Faire. So a six-pack of Einstök and The Sorcerer’s Screed it was.

The book was pretty austere for something containing spells for summoning ghost-horses and killing people’s livestock. It was just a red paperback with a serif font and some staves—magical symbols—printed in white on each cover, none of that skin-bound Necronomicon kind of stuff. But it was written by a guy who called himself Skuggi (“shadow”) and scorned Christianity’s self-proclaimed monopoly on communing with the powers that be.

This wasn’t my first book of Scandinavian spells. I’d bought Dr. Stephen E. Flowers’s second edition of the Galdrabók months earlier. Skimming through his foreword (read: thesis) on my way to the juicy stuff, I read how spells and incantations of the late- and post-Viking-Age North show evidence of a unique dynamic between Christianity and Norse Paganism, one of more compromise than the mutual resentment I thought had persisted until one old, bearded man in the sky won out over the other. Even Skuggi wrote that sorcery was an attempt to understand a single creator and his works versus a pantheon, although he lived from the late nineteenth to early twentieth century.

Neither should have come as a total surprise. The Norse were as much traders as raiders, and it’s only fitting that there would be aspects of cultural exchange noted in a people known for traveling as far from their home as the Middle East and even Newfoundland. So finding spells calling on equal parts God, Satan, Thor, and Loki, among others, to curse someone with explosive bowels was just ye olde multiculturalism at work.

That last bit of info might make it sound like this is all a joke to me, but that couldn’t be further from true. The occult has always been the source of my greatest fears. Reading any of these texts after sundown leads to me alternating between a bedsheet cocoon and switching my bedside light on at the slightest hint of movement through the night. I regard the supernatural with equal parts wonder and fear.

I still have yet to test any spells from the Screed. The most I’ve done is to leaf through its pages, jotting down which ones require minimal animal sacrifice or law-breaking to cast, which could be feasibly integrated into trinkets without upsetting the associated ritual. Some simply require the reader to carve a stave into a specific wood and carry it with them. Years before I acquired either book, I drew a stave I’d found online for luck in romantic pursuits onto a scrap of paper, nicked my finger with a pocket knife to trace the stave in my blood, then ate the paper. This bore no measurable results. Maybe that’s why I hesitate to try any of these new spells. Whether I botched that old stave or just helped cement science’s superiority, I have reason to be skeptical I’d find any luck with fresh ones.

Still, curiosity draws me in. If not for some attainable result, why were these rites and symbols recorded? The Norse believed love poems were a type of sorcery, the words themselves bearing magical significance. Today we usually just call that art. I’d like to think all the mammary blood and raven bile connects to something we might understand today too, as if mysticism was just some ancient method of manipulating physics in minor ways that became lost to the ages. Wishful thinking, I know, but speculation is part of the fun with such things. I think we all want to believe there’s some untapped potential for the extraordinary in ourselves, in this world, in a book—something we’re one good push away from obtaining to liven up the status quo. Maybe there is, or maybe I’ve just had a harder time letting go of the fantastical than others my age. I’ll probably never feel sure of either.


Eric Beebe is a graduate of The Mountainview Low-Residency MFA in Fiction and Nonfiction. He currently works as a substitute teacher for grades K–12 in New Hampshire.

Three Words

by Mike Helsher

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"Honey… my water broke."

I’m floating, dreaming, I think.  Something heavy seeps into my nose, sinks down into my stomach. The words swim between my ears, come together behind my eyes—they snap open. I slide my hand over toward my wife. The sheets are damp. There's a smell of roots and early springtime in the bedroom.

“I'm having a contraction," Karen says.

I turn the bedside light on. She’s sitting up, holding her bulbous belly. Her face is twisted. But before I can freak out, she recovers, smiles wide-eyed. She’s glowing. I blink my eyes. I’m not fully awake yet.

"Can you make it to the hospital?" I ask, imagining myself delivering a baby in the car on the side of the road.

"I think so, but we should go," Karen says.

I wake up Jessie. Technically, she’s my step-daughter, but I’m the only father she knows, and she’s my only daughter. She’s four. I tell her she’s about to be a big sister. Karen gets her dressed. I pack bags, put everything in the car.

Karen calls the Portsmouth hospital. They tell her to come right in. She calls her mother to ask if she can watch Jessie. She’ll meet us at the hospital. It’s is a forty-minute drive from Barrington, an eternity that tugs on my innards like a pending hurricane.

I’m doing 75-mph in a 40-mph zone, imagining I get pulled over for speeding and then escorted by the police, sirens wailing, as they should be.

We arrive safely at the emergency room. Karen gets wheeled into the maternity ward. Jessie goes with her grandmother. An eerie calm, the eye of the storm, passes through me. I hope I can remember all the coaching I practiced in the months prior.

The last few minutes take longer than the previous four hours of labor. My coaching skills are worn out. Contractions are only minutes apart, but there’s no progress. The nurse asks Karen to try squatting. I help her into position. She arches her sweaty head over, pushes, screams, squeezes my hand so hard it hurt.

“We’re having a baby!” the nurse who had been with us all night yells over the intercom. I look down to see my son’s head crowning. It looks deformed. There’s some blood. I look away, help Karen lay on her back.

Another nurse enters the room. “The doctor is asleep downstairs, she’ll be right up,” she says. I want to murder them both.

The doctor rushes into the room a few minutes later. “Oh boy,” she says, after surveying my son’s head. “Hold on. I’m going to have to make an incision.” A nurse hands her a scalpel. I close my eyes, lean over and try to say some encouraging words to Karen. I’m crying. My hand hurts.

Another big push and… "Oh, my God!" exclaims one of the nurses, as Jakob makes his entry into the world, with a screech that rattles me to the marrow. The doctor lays him on Karen’s chest. He’s squirming, bloody, and slimy. His head seems normal. I think I might be dreaming again.

The doctor asks me to cut the umbilical cord. I’m squeamish, but I do it. She holds up the dripping placenta, gives me a lecture on the wonders of the embryonic sac.

Another nurse comes into the room. “Oh My God!” she says. Now I think he’s deformed again, because of the bug-eyed look on her face. “I’m just going to clean him up.” She wraps our son up, whisks him off to another room, where I hear gasps and shrieks.

"Is there something wrong with him?" I ask the doctor.

"Oh no," she says, “he looks fine. They’re all placing bets on his weight, is all."

While the doctor is tending to Karen, a nurse comes in and hands me a brand-new baby boy. "Nine pounds, fourteen ounces,” she says. “Everything looks good. Congratulations!"

It’s 6:30 AM, September 19, 1997. He’s ten minutes old. The sun is coming up outside, shining through the cracks in the window blinds. I pull him close to my heart. Three words well up in me in a way they never had before.

"I love you."


Student Picks: Burg, Mann, and Robbins

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Arun Chittur-- I train technical instructors and study teams large and small, so lately I’ve strayed from my regular selections of fiction and narrative nonfiction in favor of books that illuminate some part of the puzzle that is humanity. My wife recommended The Go-Giver; we were waiting to board a plane from the East to West Coast when I started reading the Foreword. I finished the powerful, yet concise story before we landed four hours later.

The Go-Giver is advertised as a parable, 150 pages written by two businessmen-turned-writers inspired to craft a story from decades spent observing the world. They rely on a diverse cast of characters but focus on two: Joe, a salesman struggling to meet his upcoming quarterly quota, and Pindar, an otherwise hard-to-describe “Old Man” who acts as mentor and coach to many in town. Desperate for counsel on how to meet his numbers, Joe meets with Pindar and is soon absorbed in a week-long lesson on the “Five Laws of Stratospheric Success.” And so ensues an adventure of sorts, a story that follows Joe’s rapid evolution from stereotypical salesman to someone who adds value to others’ lives.

It’s easy to get lost in the narrative, and to forget that it’s mainly fiction designed to make accessible one of life’s simplest but often overlooked principles. I’d recommend this book to anyone, not just for its ability to help provide focus and direction, but for the example it provides in the instructive power of story.

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Phil Lemos-- Good Friday is known for its executions. But Gwendolyn Mati, squeaky-voiced stockbroker and protagonist of the Tom Robbins novel Half-Asleep in Frog Pajamas, wishes she had already been sentenced to death when the stock market crashes the day before.

It’s bad enough Gwen is sweating out whether she’ll have any clients left when the market re-opens the following Monday. But she also has to spend the weekend searching the streets of Seattle for her missing 300-pound psychic and her slacker boyfriend’s missing pet monkey, while also avoiding a creepy stranger with mind-altering substances who wants to rock her world and take her to Africa with him.

Half-Asleep in Frog Pajamas is notable not only for Robbins’ signature irreverent humor and bold use of metaphor, but also for being written in second-person. The use of second-person in fiction is always a gamble, as it can backfire spectacularly. It works here, though, as we’re dropped into an immediate crisis - the stock market crash - and the subversion lends itself well to taking chances with characterization and style. Robbins is known more for other novels, but Half-Asleep is a hidden jewel any fan of comedy in fiction would enjoy.

 

Coffee Season

by Amy Jarvis

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I recently started using a coffee cup that I found at a yard sale. Using previously owned items appeals to me. Perhaps it’s because the coffee cup, with its textured clear glass, etched tulip, and chipped handle, has experience. Regardless of whether or not the item shows signs of age, it was loved once before I found it. I’m drawn to things that have rough edges, things I might be able to fix.

I once dated a recovering heroin addict. I fell for Robin in between the lines and espresso steam of the coffee shop where we both worked. After our first date, I found myself in crowded dive bars every weekend, sitting in front of the stage while his band played. He told me about his past one night in December a couple of months into our relationship. I had parked in his neighbor’s driveway, the car still running, windshield wipers and heat up as high as they could go as they both struggled against a winter storm. He sat back against his seat and stared through the window as told me that he’d used too many times a day to count, anywhere he could find a viable vein; that he had been clean for a year and went to a methadone clinic daily; that he understood if I left. I went inside his mother’s townhouse, dry-heaved over the toilet, wiped the mascara from underneath my eyes, and decided I would stay. Months later, he became distant. He stopped answering calls, became paranoid. After our relationship ended, I realized that I wouldn’t have been able to help him recover.

I purchase my beans from a local coffee shop, River Roasters, which is decorated in rustic-chic barrels and crates, metal high-top tables, and bags of coffee. The shop features a slotted container beside a coffee bar with a sign that invites customers to pay on good faith. Even though River Roasters is in a small, southern town, sometimes I wonder how many people have gotten away with pouring themselves a to-go cup without paying. Almost everyone in town goes to church; it’s possible that someone who would consider walking out could always justify their decision by asking for forgiveness during Sunday service.

After the recovering heroin addict, I met a pastor’s son in my first graduate program, and I believed we had plenty in common. Dave and I would grab a table in the upstairs section of a college bar after classes, sit across from each other and smoke, drink too much, and have the same conversations about the program and our peers. We were lying on his bed one night, and he had opened a collection to one of his favorite poems. He read it softly, his voice deep, serious. He looked at me when he finished, with his dark eyes narrowed, as though he expected me to interpret the work in his words. When I couldn’t, he closed the book and placed it back on his nightstand. He began insulting me every chance he could get. If he didn’t agree with my opinion, I was wrong. If I didn’t want to have sex, I was wrong.  Being with him wasn’t like poetry. It’s easy for someone to change their expression, their tone, to make you feel like everything is your fault.

After I make my purchase, I shove $1.75 into the slotted container and choose between the two coffee options on the bar. I fill my coffee cup to the brim, usually with dark roast, and cover the steaming, murky-black liquid with a plastic cover. I have to make a conscious effort to remember to slip on the cardboard sleeve to avoid being burned. I’ve worked at several coffee shops in the past. I find it interesting that something as simple as placing a sleeve over a steaming hot cup of coffee, had become second nature when I was serving customers, but not for myself.

When the last guy I dated called and asked me on our first date, he told me he always thought I was beautiful. Marlon was someone I had been interested in for months, but it was a former friend who gave him my number. He planned dates to fancy restaurants and rooftop bars where we would sit at wrought iron tables overlooking the ocean, and talk about our childhoods and future goals until three in the morning. One night at a hookah lounge on the boulevard, we ordered bottles of white wine and lounged around on the couches that lined the sidewalk outside. I leaned into him, listened to his breathing while he taught me lines of Portuguese. I never asked how to tell him how much I liked him in his native language. Then he took his ex-girlfriend out for her birthday, and wouldn’t meet my eyes when I asked if he slept with her. His admission came a week afterward at a bar we frequented. I sat across from him and ran my fingers over his arm, memorized his skin as he explained that he needed time.

Even though it’s been almost a year, Marlon called me about a week ago. Said it had been a long time and that he wanted to take me out for a drink. I agreed. I wanted to spend time with him again. He asked me to call him so we could make plans. I did, but he never answered.

I read recently that there’s not necessarily a coffee season, that harvesting is a constant process. As months pass, coffee crops lose what distinguishes one from another, and they fade. But another season means change, and different types of coffee to discover.  But maybe what I need for now is to grow before another season starts.